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飲茶文化

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飲茶文化

飲茶文化范文第1篇

關(guān)鍵詞:俄羅斯;飲茶文化;語(yǔ)言

一、俄羅斯飲茶的歷史背景

俄羅斯在飲茶方面同中國(guó)有著深刻的歷史淵源,史書記載中,中國(guó)是最早制作茶的國(guó)家。當(dāng)今在俄羅斯多數(shù)人都喜歡飲茶。最早關(guān)于茶葉傳入俄羅斯的記載是,1567年俄國(guó)哥薩克首領(lǐng)伊萬(wàn)·彼得羅夫和布爾納什·亞雷切夫把中國(guó)的茶文化傳入俄國(guó)。“俄國(guó)真正了解中國(guó)茶葉是在1638-1640年”,(鄒麗娟,2008:12)當(dāng)時(shí)中國(guó)西北地區(qū)的阿勒坦汗用茶來(lái)招待由瓦西里·斯達(dá)爾科夫和斯杰潘·涅維洛夫率領(lǐng)的俄國(guó)使團(tuán),并作為禮物贈(zèng)與對(duì)方,這些茶葉被帶回莫斯科后,深受當(dāng)時(shí)社會(huì)王公貴族的喜愛(ài)。在1679年,中俄兩國(guó)簽訂了俄國(guó)從中國(guó)進(jìn)口茶葉的協(xié)定,因?yàn)楫?dāng)時(shí)交通所限,運(yùn)輸茶葉的數(shù)量有限,所以只有上流社會(huì)人群才能品嘗到茶葉,平民很少有機(jī)會(huì)接觸到茶葉。到十九世紀(jì)末,俄國(guó)開始種植茶葉,但是茶葉的產(chǎn)量并不高,主要還是依靠從中國(guó)大量進(jìn)口茶葉,茶的價(jià)格也隨之下降,這使得茶逐漸成為人們生活中一種重要的飲品,在生活中的很多領(lǐng)域出現(xiàn)與茶相關(guān)的文化。

二、羅斯飲茶的主要種類和方式

在俄羅斯,茶的種類主要包括紅茶(чёрный чай)、綠茶(зелённый чай)、檸檬茶(лимонный чай)、磚茶(кирпичный чай)、茉莉花茶(жасминный чай)等。

“Чёрный чай”就是我們所說(shuō)的紅茶,在俄語(yǔ)中“чёрный”是“黑色的”,之所以使用чёрный這個(gè)詞,是因?yàn)榧t茶在泡制的過(guò)程中,如果大量使用茶葉,茶水的顏色很深,有時(shí)甚至呈現(xiàn)出黑色。在俄羅斯,人們?cè)谂葜萍t茶時(shí),喜歡向其中加入糖、果醬、牛奶、水果等,在飲用時(shí),喜歡吃一些甜點(diǎn)和面包。如今,隨著人們?cè)絹?lái)越追求健康飲食,俄羅斯人對(duì)綠茶的需求不斷增加,很多人更傾向于飲用綠茶。飲用磚茶最多的是布里亞特人,綠磚茶是他們?nèi)粘I钪械闹饕嬈?。磚茶通常制作成塊狀,在煮制時(shí),將磚茶敲碎,放于茶炊中煮沸,有些人也會(huì)加入一些牛奶、糖等飲用。在俄羅斯飲茶不僅作為一種交際手段,更是生活的重要組成部分,“托爾斯泰曾說(shuō):Я должен былп пить много чая,изо без него не мог работать.Чай высвобождает те возможности,которые дремлют в глубине моей души.(我應(yīng)該多喝茶,沒(méi)有它我就不能工作。茶使沉睡在我靈魂深處的能量得以釋放)”(唐芳,2010:27)由此可見(jiàn),飲茶在俄羅斯人的生活中是非常重要的。

三、茶炊文化

茶炊(самовар)是俄羅斯茶文化的重要組成部分,俄羅斯有“А какой же чай без самовара!”(無(wú)茶炊怎能算飲茶?。┑恼f(shuō)法。俄羅斯人非常喜愛(ài)茶炊,茶炊曾是俄羅斯皇室必不可少的器具,在民間很多家庭都擺放一或兩個(gè)茶炊。圖拉州是俄羅斯著名的茶炊生產(chǎn)地。19世紀(jì)初,圖拉市的茶炊制造業(yè)發(fā)展迅速,并逐漸成為茶炊的主要生產(chǎn)基地,在圖拉市有上百家生產(chǎn)茶炊的工廠,曾經(jīng)皇室貴族使用的茶炊也在圖拉制造,所以在俄羅斯有句著名的諺語(yǔ)“В Туру со своим самоваром не ездят”(去圖拉不用帶自己的茶炊)。茶炊的材質(zhì)通常為銅質(zhì),結(jié)構(gòu)通常是中部為空心直筒狀,用來(lái)放置木炭等燃料,水環(huán)繞在直筒四周,茶炊的大小不一,形狀各異。有的工匠在茶炊表面繪畫各種精美圖案,外觀十分精美。

在俄羅斯,每逢親友相聚、逢年過(guò)節(jié),有“пить чай за самоваром”(圍繞茶炊飲茶)的習(xí)俗,人們都會(huì)使用茶炊,一起飲茶??墒请S著社會(huì)的發(fā)展,傳統(tǒng)的茶炊逐漸被電茶炊取代。如今在俄羅斯,茶炊不僅是一種飲茶工具,同時(shí)具有很高的藝術(shù)價(jià)值,在一些地方甚至成為一種文化符號(hào)。

四、飲茶文化對(duì)俄羅斯民族語(yǔ)言的影響

通過(guò)飲茶,不僅促進(jìn)了不同民族間的文化交流,同時(shí)也豐富了俄羅斯民族的語(yǔ)言。在俄語(yǔ)中出現(xiàn)了一些與茶有關(guān)的俗語(yǔ),例如:Чай да сахар!чай и сахар!чай с сахаром?。ㄗDM興品茶?。┰诙碚Z(yǔ)中有時(shí)чай會(huì)出現(xiàn)轉(zhuǎn)義用法,例如:На чай?。ńo、收小費(fèi))。чай在句子中還可以作插入語(yǔ),意思是“大概”、“看來(lái)”,例如“ты, чай, не придёшь?” (看來(lái), 你是不會(huì)來(lái)的了?)。在俄語(yǔ)中還有很多與茶相關(guān)的諺語(yǔ),例如:В городе чай – гостям угощение, в деревне – себе наслаждение. (在城市里—茶可以招待客人,在鄉(xiāng)村中—喝茶就是享受人生。)В хорошей посуде и чай вкуснее. (吃美食不如喝茶更美味。)Выпей чайку - забудешь тоску. (喝茶時(shí)會(huì)忘記寂寞。)За чаем не скучаем - по семь чашек выпиваем.(喝下七杯茶就會(huì)忘記煩惱。)Коль чаем угощают, значит уважают. (假如有人請(qǐng)喝茶,那就意味著尊重。)От чаю пьян не будешь. (喝茶的人不會(huì)成為酒鬼。)Пей чай, не вдавайся в печаль.(喝茶不會(huì)陷入憂愁之中。)Пей чай – удовольствие получай. (喝茶就會(huì)得到快樂(lè)。)Приходите к чаю - пирогами угощаю.(來(lái)喝茶吧,用準(zhǔn)備好的餡餅招待你。)等。俄羅斯飲茶文化不僅是俄羅斯文化的組成部分,也豐富了俄羅斯的民族語(yǔ)言。

參考文獻(xiàn):

[1]鄒麗娟,中俄茶文化比較研究[D],山東大學(xué),2008.

飲茶文化范文第2篇

《茶經(jīng)》成書于780年,由唐代“茶圣”陸羽傾注數(shù)十年心血研究創(chuàng)作而成,是世界公認(rèn)的真正意義上第一部茶學(xué)專著。《茶經(jīng)》全書僅有七千余字,但是言簡(jiǎn)意賅、結(jié)構(gòu)緊湊,分十個(gè)章節(jié)全面敘述了栽茶、采茶、制茶、飲茶、產(chǎn)茶、錄茶、詠茶等豐富內(nèi)容。作者陸羽把中華民族的五行陰陽(yáng)辯證法、道家天人合一的理念、儒家的中和思想等濃縮于書中,為中國(guó)茶道奠定了堅(jiān)實(shí)的基礎(chǔ)。同時(shí),《茶經(jīng)》的權(quán)威性被確立之后,其主題思想和書中許多文化術(shù)語(yǔ)及特殊表達(dá)等都被廣為傳頌,呈現(xiàn)出極高的同構(gòu)取向度。繼陸羽的《茶經(jīng)》之后,明朝屠隆的《茶說(shuō)》、陳鑒的《虎丘茶經(jīng)注補(bǔ)》,特別是清朝陸廷燦的《續(xù)茶經(jīng)》等也都采用了《茶經(jīng)》與目錄相似的同構(gòu)異義組合。這樣,借助《茶經(jīng)》中人們非常熟悉的十個(gè)章節(jié),由于這些章節(jié)標(biāo)題是人們耳熟能詳?shù)模@些后續(xù)的茶著也會(huì)讓人過(guò)目不忘,有助于極大提高目標(biāo)讀者的關(guān)注指數(shù)和記憶價(jià)值。它們與陸羽的原創(chuàng)《茶經(jīng)》之間母文本和擬文本的密切關(guān)系:中國(guó)茶典籍的微觀互文清晰地表現(xiàn)在對(duì)于陸羽《茶經(jīng)》的復(fù)制、仿擬和引用上。其中最明顯的是《續(xù)茶經(jīng)》:作者陸廷燦將《茶經(jīng)》完全接受納入自己的語(yǔ)義系統(tǒng),不僅篇目與《茶經(jīng)》之字不差,還把“原本《茶經(jīng)》另列卷首”,并且在“凡例”的五段段首句中提及《茶經(jīng)》,說(shuō)明了自己“續(xù)”寫茶經(jīng)的緣由,一覽無(wú)遺地再現(xiàn)出它與《茶經(jīng)》的互文淵源:凡例:《茶經(jīng)》著自唐桑苧翁,迄今千有余載,不獨(dú)制作各殊而烹飲迥異。即出產(chǎn)之處亦多不同。余性嗜茶,承乏崇安,適系武夷產(chǎn)茶之地。值知府滿公鄭重進(jìn)獻(xiàn),究悉源流,每以茶事下詢。查閱諸書,于武夷之外,每多見(jiàn)聞,因思采集為《續(xù)茶經(jīng)》之舉。曩以薄書鞅掌,有志未遑。及蒙量移奉文赴部,以多病家居,翻閱舊稿,不忍委棄,愛(ài)為序次第??謱W(xué)術(shù)久荒,見(jiàn)聞疏漏,為識(shí)者所鄙,謹(jǐn)質(zhì)之高明,幸有以教之,幸甚?!尽恫杞?jīng)》另列卷首。值得注意的是,陸廷燦在《續(xù)茶經(jīng)》中對(duì)于《茶經(jīng)》“仿擬”和“引用”的互文過(guò)程不只是主觀、武斷的語(yǔ)言關(guān)聯(lián),而是通過(guò)蘊(yùn)蓄機(jī)制發(fā)生作用的意義指向“翻新”的發(fā)展。例如先期母本《茶經(jīng)》的第九章“茶之略”共包含222個(gè)字,主要是分析了在古代茶事中所需要的各種茶具中,哪些采茶、制茶、飲茶的用具是可以根據(jù)當(dāng)時(shí)的條件及環(huán)境省略掉的;第十章“茶之圖”僅有寥寥數(shù)語(yǔ),共計(jì)68個(gè)字,主要是教人用絹素書寫茶經(jīng)并制成掛圖陳諸座隅,以隨時(shí)目染而熟記于心。而《續(xù)茶經(jīng)》相應(yīng)章節(jié)盡管表面標(biāo)題只字未改,但是具體表述的內(nèi)容則隨著歷史的發(fā)展呈現(xiàn)出全新的內(nèi)容?!独m(xù)茶經(jīng)》的第九章則帶有明顯的類書性質(zhì),例舉了我國(guó)古代自唐至清的156種茶書茶文茶詩(shī),堪稱茶著集大成者,字?jǐn)?shù)多達(dá)2792個(gè);第十章“茶之圖”則例舉了能生動(dòng)體現(xiàn)茶文化內(nèi)容的茶具、茶器插圖(“至其圖無(wú)傳,不敢臆補(bǔ),以茶具、茶器圖足之”),字?jǐn)?shù)更是增加到了1511個(gè),是《茶經(jīng)》該章節(jié)的20倍。可見(jiàn),《續(xù)茶經(jīng)》與《茶經(jīng)》文本“雖然疊相祖述,但作者頗能運(yùn)法于心,得魚忘筌,奪胎換骨,點(diǎn)鐵成金,而創(chuàng)作出獨(dú)具風(fēng)貌并足以與前作媲美的擬作佳品”??梢?jiàn),發(fā)展性互文是茶典籍一種歷史的傳承,具有個(gè)人知識(shí)背景的創(chuàng)作母本更為廣大的群體所接受和再創(chuàng)造,而歷史的變遷為文本內(nèi)容帶來(lái)了深層意義變化和發(fā)展。這類互文例證表明,茶典籍的創(chuàng)作是一個(gè)不斷擴(kuò)展、重復(fù)、疊加、修正的過(guò)程,數(shù)千年來(lái)茶典籍的思想理念和語(yǔ)言文字表述的確是在互文性的語(yǔ)境下發(fā)展成形的。

二、《茶經(jīng)》:茶文化的橫向互文傳播

《茶經(jīng)》不僅僅是中國(guó)茶文化的瑰寶和模因母本,縱向地被本國(guó)茶著所仿擬和套用,它也是世界茶史上的重要里程碑?!坝捎谄錂?quán)威地位和無(wú)可替代的影響力,《茶經(jīng)》還沖破了語(yǔ)言和文化的桎梏,被直接轉(zhuǎn)換成目的語(yǔ)語(yǔ)言引入異國(guó)文本,使當(dāng)時(shí)中國(guó)農(nóng)家以及世界各有關(guān)者俱受其惠?!边@種橫向傳播的互文引用以日本和韓國(guó)著作為多,約有近二十本/次。被英語(yǔ)書刊引用的有三本,這種從內(nèi)容到形式上的復(fù)制驗(yàn)證了《茶經(jīng)》的模因母本地位。1935年美國(guó)學(xué)者WilliamUkers在紐約出版了篇幅浩帙的茶著《茶葉全書》(AllAboutTea),從六個(gè)方面詳細(xì)闡述了茶葉所涉及到的各個(gè)領(lǐng)域。作者非常認(rèn)同中國(guó)茶及茶文化對(duì)世界的影響,一再?gòu)?qiáng)調(diào)《茶經(jīng)》是“中國(guó)學(xué)者陸羽著述的第一部茶葉專著”,認(rèn)為“茶是來(lái)自東方的恩澤(boonoftheOrient),構(gòu)成了人類生活的美好享受”。正因?yàn)樽髡叩恼J(rèn)同,《茶葉全書》的第二章將《茶經(jīng)》全文收入。在這一章的前四節(jié),作者WilliamUkers主要介紹了中國(guó)傳統(tǒng)茶文化、中國(guó)的第一部茶著及這部茶著的作者陸羽。他這樣評(píng)說(shuō)到:不僅中國(guó)古代農(nóng)人應(yīng)當(dāng)對(duì)陸羽滿懷感恩,全世界人民更是俱受其惠。因?yàn)槿舨皇怯辛岁懹鸷退闹?,人們也許至今還沒(méi)能體會(huì)到飲茶的美妙樂(lè)趣。在具體依照章節(jié)一一引入全書之前,WilliamUkers先用幾句話簡(jiǎn)單概括了《茶經(jīng)》的主題內(nèi)容:“《茶經(jīng)》共分三卷十章。在第一章中,陸羽介紹了茶樹的性質(zhì);在第二章中主講收采茶葉用的器皿;第三章是關(guān)于采茶的操作;第四章列舉和描述了二十四種加工茶的器具,在這一章中可以看到陸羽對(duì)于象征道教的中國(guó)陶瓷的偏愛(ài)與茶的影響。在第五章,陸羽介紹了煮茶的方法。在其余的幾個(gè)章節(jié)里,陸羽講述了飲茶的普通方法、歷史的總結(jié)、著名的產(chǎn)茶區(qū)和茶具的插圖。雖然從簡(jiǎn)介和章節(jié)的目錄中可以明顯看出兩本著作間的原著與譯著的互文關(guān)系,但是仔細(xì)閱讀原著就可以了解到,作者對(duì)于《茶經(jīng)》的引用主要是根據(jù)自己創(chuàng)作的意圖、語(yǔ)篇的結(jié)構(gòu)和目標(biāo)語(yǔ)讀者的需要。他主要采取了選擇性的“摘引“方法,除了將《茶經(jīng)》十個(gè)章節(jié)中的重要技術(shù)性信息全部引用,與深層文化元素相關(guān)的哲學(xué)思想、比較生疏的古人軼事及詩(shī)詞歌賦等語(yǔ)言修辭之美多半被簡(jiǎn)寫或者全部刪略。例如,陸羽在《茶經(jīng)》中比較詳盡地介紹了中國(guó)古代傳統(tǒng)茶事有的制茶用器,其中有一件便是煮茶的“谽“:谽,以生鐵為之,今人有業(yè)冶者,所謂急鐵,其鐵以耕刀之趄,煉而鑄之。內(nèi)抹土而外抹沙。土滑于內(nèi),易其摩滌;沙澀于外,吸其炎焰。方其耳,以正令也;廣其緣,以務(wù)遠(yuǎn)也;長(zhǎng)其臍,以守中也。(《茶經(jīng)》“四之器”)陸羽并不是簡(jiǎn)單地講述它們的特性與用途,而是將其從器物層面提升到精神高度,描述中包涵了儒家的“中庸”的理念:“正令”、“務(wù)遠(yuǎn)”、“守中”,這一“中正”思想正是儒家治國(guó)求“和”之術(shù)。遺憾的是所有這些思想在《茶葉全書》引用中只是被簡(jiǎn)單地一語(yǔ)蔽之:“谽”是一種生鐵鑄造的鍋(Aboilermadeofpigironorwroughtiron.)。生態(tài)文化元素的精準(zhǔn)同樣可能會(huì)使異國(guó)作者的引用存在某些理解偏差?!恫杞?jīng)》原文第三章“茶之造”開篇首先介紹了采茶的時(shí)間:“凡采茶,在二月、三月、四月之間。”這顯然是農(nóng)歷春季,而在《茶葉全書》中都變成了陽(yáng)歷。盡管WilliamUkers很有心地將月份向后推了一個(gè)月,但時(shí)間的精準(zhǔn)度上依舊留有偏差。而到了“三月三”這類中國(guó)特有的時(shí)間表達(dá)法上,WilliamUkers就更顯無(wú)奈,只用一個(gè)上限詞“春季”就概括了。此外,《茶經(jīng)》語(yǔ)言優(yōu)美,結(jié)構(gòu)整飭,短短七千余字中就有詩(shī)歌、散文、典故、藥方等多種文體,可惜的是,這種語(yǔ)言修辭的美也沒(méi)能在《茶葉全書》中得以再現(xiàn),其譯本只是將文本淺層次的意義傳遞出來(lái),語(yǔ)言不免單調(diào)平淡。《茶經(jīng)》第七章“茶之事”中的很多茶人軼事、晉朝左思《嬌女詩(shī)》、張孟陽(yáng)的《登成都樓》等韻味悠遠(yuǎn)的茶詩(shī)直接刪除,使得《茶經(jīng)》這最具文化色彩的第七章幅度大減。這樣的引用方法,加之作者在第二小節(jié)中將陸羽介紹成“中國(guó)的浪漫喜劇家”,這很可能會(huì)造成目標(biāo)語(yǔ)讀者對(duì)陸羽的片面認(rèn)識(shí),《茶經(jīng)》也因而失去它作為一本獨(dú)立著作所具備的深層的文化蘊(yùn)意和瑰麗的文學(xué)色彩。

三、結(jié)語(yǔ)

飲茶文化范文第3篇

關(guān)鍵詞:體育教學(xué);茶文化;引入;應(yīng)用

在人們?nèi)粘I钪胁杈哂袠O為重要的地位,古代文人雅士認(rèn)為品茶是生活中的樂(lè)趣,具有陶冶情操和性情的作用。伴隨著飲茶的日益盛行,我國(guó)茶文化也得到了快速發(fā)展,茶文化具備極為豐富的文化內(nèi)容,影響著人們的日常生活。我國(guó)社會(huì)經(jīng)濟(jì)發(fā)展進(jìn)程不斷加快和社會(huì)水平不斷上升,當(dāng)前社會(huì)人們對(duì)于生活質(zhì)量提出了更高要求,體育活動(dòng)也逐漸受到人們重視。在體育活動(dòng)中人們不僅能夠鍛煉身體還能培養(yǎng)興趣愛(ài)好,具有積極的意義。當(dāng)前社會(huì)人們?cè)絹?lái)越重視體育活動(dòng),這使得傳統(tǒng)體育教學(xué)已經(jīng)無(wú)法滿足需求,因此當(dāng)前體育教學(xué)的主要任務(wù)是不斷革新體育教學(xué)模式和內(nèi)容,從而提升學(xué)生身體素質(zhì)和思想素質(zhì)。

1在體育教學(xué)中引進(jìn)茶文化的可行性

1.1具有文化基礎(chǔ)

一是從表面上看雖然體育教育和茶文化一動(dòng)一靜沒(méi)有太大關(guān)聯(lián),但實(shí)際上兩者都具備有文化屬性。在漫長(zhǎng)歷史發(fā)展過(guò)程中體育和茶文化具有許多文化交際特點(diǎn),譬如體育與茶文化都和文學(xué)、詩(shī)歌、繪畫有密切的聯(lián)系,具有民族文化特色和文化精神內(nèi)涵,因此體育和茶文化在文化上具有很大關(guān)聯(lián)。二是茶文化與體育文化具備著類似思想基礎(chǔ)。茶文化蘊(yùn)藏著儒家思想、道家理論、佛家等哲學(xué)思想,注重人與自然的相協(xié)調(diào),而體育文化教學(xué)也非常注重人和自然的和諧相處,開展體育活動(dòng)時(shí)需要遵守環(huán)境法則,體育教學(xué)需要充分考慮所處環(huán)境和氣候。茶文化和體育教學(xué)在哲學(xué)思想基礎(chǔ)上具有人和自然相協(xié)調(diào)的相似性,規(guī)范著文化參與者的行為準(zhǔn)則。在飲茶過(guò)程中重視雅、靜、養(yǎng)、道等,而武術(shù)體育要求靜、養(yǎng)、悟、道等,兩者都要求文化參與者調(diào)整自身行為和思想修養(yǎng)。三是體育文化和茶文化都具備著大量參與群體,兩者具備著相同文化參與者,能夠?qū)崿F(xiàn)兩種文化融合,從而構(gòu)成獨(dú)具特色的文化現(xiàn)象。

1.2有助于培養(yǎng)生活趣味

我國(guó)茶文化是由悠長(zhǎng)歷史傳承和發(fā)展演變而成的,集聚著我國(guó)民族文化精神和內(nèi)容,茶文化代表著社會(huì)人們勇于追求美好生活的精神,從品茶中人們可以獲得心靈上的寧?kù)o,并讓人們遠(yuǎn)離喧鬧的社會(huì),安靜地去思考人生,我國(guó)傳統(tǒng)茶文化不僅能夠提升人們思想素養(yǎng),還能夠提高生活趣味。隨著茶文化的不斷發(fā)展,飲茶習(xí)慣也逐漸形成,人們?cè)诼凡柚锌梢愿惺艿狡凡枞の?,并能切?shí)感受到生活中隨處可見(jiàn)的快樂(lè)。在體育教學(xué)中融入茶文化不但能夠提升高校學(xué)生生活趣味,而且還能夠傳承和發(fā)揚(yáng)我國(guó)傳統(tǒng)茶文化內(nèi)涵。學(xué)生在茶文化精神內(nèi)涵影響下,更加重視體育教學(xué)活動(dòng),并將體育教學(xué)活動(dòng)當(dāng)做是生活樂(lè)趣和享受。在體育教學(xué)實(shí)踐活動(dòng)中發(fā)現(xiàn),部分學(xué)生極其厭惡體育活動(dòng),并且可能產(chǎn)生各種厭煩情緒。因此在體育教學(xué)活動(dòng)中融入茶文化有助于提升學(xué)生體育教學(xué)活動(dòng)的積極性和興趣,并能積極融入到體育實(shí)踐活動(dòng)中去。

1.3精神文化內(nèi)涵存在相似性

在高等院校教育教學(xué)過(guò)程中,不但需要注重學(xué)生思想和專業(yè)知識(shí)的培養(yǎng),還需要重視學(xué)生思想素質(zhì)培養(yǎng),只有具備強(qiáng)健的體魄,才能擁有良好的學(xué)習(xí)狀態(tài),因此對(duì)高等院校學(xué)生來(lái)說(shuō)日常體育教學(xué)是非常重要的。高等院校開展各項(xiàng)體育教學(xué)活動(dòng),主要是為了增強(qiáng)學(xué)生身體素質(zhì),從而為社會(huì)培養(yǎng)出更加優(yōu)秀的人才。在體育教學(xué)實(shí)踐活動(dòng)中學(xué)生不僅能夠鍛煉身體,還能擁有良好心態(tài)去面對(duì)生活中的各種困難。加強(qiáng)體育教學(xué)有助于培養(yǎng)學(xué)生積極向上的學(xué)習(xí)心態(tài),從而以良好的心態(tài)進(jìn)行學(xué)習(xí)。在悠長(zhǎng)歷史演變過(guò)程中,茶文化具備了許多文化內(nèi)涵和精神內(nèi)涵,加強(qiáng)對(duì)茶文化的認(rèn)知有助于學(xué)習(xí)茶文化精神內(nèi)涵,從而培養(yǎng)積極向上的心態(tài)。茶文化涵蓋著平和的人生世界觀以及平和人生態(tài)度,通過(guò)了解茶文化能夠?qū)W習(xí)其平和處事態(tài)度和積極向上的精神。從表面上看體育教學(xué)與茶文化相差甚遠(yuǎn),但是兩者實(shí)質(zhì)內(nèi)涵卻有著極為相似之處,都能夠培養(yǎng)人們高尚情操,并保持著積極向上的精神狀態(tài),兩者都具備著這樣的特性。因此,在體育教學(xué)中融入茶文化能夠推動(dòng)體育教學(xué)的發(fā)展。

2茶文化引進(jìn)體育教學(xué)的現(xiàn)狀

體育文化和茶文化雖然具有許多關(guān)聯(lián)性,但實(shí)際上我國(guó)體育教育和茶文化發(fā)展方向始終處于平行線上,兩者之間的融合仍然存在許多問(wèn)題,表現(xiàn)為以下幾個(gè)方面。

2.1體育教學(xué)沒(méi)有正確認(rèn)識(shí)茶文化

高等院校教育教學(xué)過(guò)程中認(rèn)為體育教學(xué)屬于運(yùn)動(dòng)文化,而茶文化則是屬于靜態(tài)文化,兩者之間不存在關(guān)聯(lián)性,并且沒(méi)有考慮到體育教學(xué)和茶文化兩者在文化上的相似性和共同點(diǎn),部分高校體育教學(xué)認(rèn)為茶文化對(duì)于體育教學(xué)是不利的,對(duì)運(yùn)動(dòng)員奮斗激情和學(xué)習(xí)積極性產(chǎn)生消極影響。

2.2當(dāng)前在體育教學(xué)中引進(jìn)的茶文化元素形式相對(duì)單一

當(dāng)前的體育教學(xué)沒(méi)有將所有的茶文化元素引入到體育教學(xué)實(shí)踐活動(dòng)中去,一些省份在體育教學(xué)中雖然逐步引進(jìn)茶文化元素,但是只是在體育活動(dòng)調(diào)養(yǎng)階段引入,無(wú)法讓茶文化貫穿到體育教學(xué)活動(dòng)的各個(gè)環(huán)節(jié)。

2.3當(dāng)前體育教學(xué)尚未建立和茶文化關(guān)聯(lián)的教學(xué)制度和體系

許多區(qū)域體育教學(xué)沒(méi)有對(duì)茶文化和體育教學(xué)關(guān)聯(lián)性展開深入研究,對(duì)茶文化和體育文化的文化內(nèi)涵和哲學(xué)思想以及價(jià)值功能等都不太了解,難以將茶文化真正貫徹到體育教學(xué)中去。茶文化具有生命力旺盛以及延伸面廣等特點(diǎn),因此在體育教育教學(xué)中引進(jìn)茶文化有助于推動(dòng)著體育教學(xué)的快速發(fā)展,對(duì)于創(chuàng)新體育教育教學(xué)有著促進(jìn)的作用。

3茶文化在體育教學(xué)中的應(yīng)用

為了全面革新體育教學(xué)和茶文化發(fā)展的基本現(xiàn)狀,應(yīng)當(dāng)加強(qiáng)對(duì)體育教學(xué)和茶文化的了解,認(rèn)識(shí)到體育文化與茶文化的共同特性,并以創(chuàng)新思維來(lái)不斷考慮體育文化和茶文化的結(jié)合。

3.1體育教育教學(xué)應(yīng)當(dāng)積極引進(jìn)“茶文化植入”思想意識(shí),并繼承和發(fā)揚(yáng)傳統(tǒng)文化

體育文化工作者應(yīng)當(dāng)加強(qiáng)對(duì)傳統(tǒng)文化的認(rèn)識(shí),以傳承我國(guó)優(yōu)秀的民族文化,并將茶文化精神內(nèi)涵貫穿到體育教育教學(xué)過(guò)程中,不斷創(chuàng)新我國(guó)體育教育教學(xué)形式和內(nèi)容。同時(shí)體育工作者應(yīng)當(dāng)充分認(rèn)識(shí)到體育教學(xué)和茶文化的整體系統(tǒng)性,只有兩者相互結(jié)合才能發(fā)揮出真正的作用。體育教育教學(xué)和茶文化結(jié)合應(yīng)當(dāng)呈現(xiàn)動(dòng)態(tài)發(fā)展,結(jié)合不同地域的文化特色以及基本需求等不斷發(fā)展變化,從而讓茶文化和體育文化結(jié)合適合更多的人群。此外在體育教育教學(xué)中引進(jìn)茶文化的基本目的是為人服務(wù),體育文化和茶文化相互結(jié)合應(yīng)當(dāng)始終堅(jiān)持以人為本,并將體育文化學(xué)習(xí)者和茶文化學(xué)習(xí)者始終放在第一位置,提高學(xué)習(xí)者的認(rèn)知能力和接受能力,學(xué)習(xí)者在體育學(xué)習(xí)過(guò)程中不僅能夠獲取體育技能,還能夠獲得更多的文化知識(shí)以及精神內(nèi)涵。

3.2將茶文化引進(jìn)體育教育教學(xué)過(guò)程中,應(yīng)當(dāng)明確技能以及綜合素養(yǎng)教育教學(xué)的基本目標(biāo)

在實(shí)際體育教育教學(xué)過(guò)程中融入茶文化代表著兩者在教學(xué)中都是極為重要的,因此應(yīng)當(dāng)注重體育教學(xué)和茶文化的相互結(jié)合。體育文化和茶文化在結(jié)合過(guò)程中涵蓋著許多傳統(tǒng)民族文化內(nèi)涵以及精神內(nèi)涵,因此在體育教學(xué)過(guò)程中不僅需要注重體育技術(shù)教育教學(xué),還需要加強(qiáng)文化培養(yǎng),從而讓中國(guó)體育更具有豐富民族文化特色。應(yīng)當(dāng)將茶文化作為體育發(fā)展的基礎(chǔ)和方向,并不斷繼承和發(fā)揚(yáng)我國(guó)優(yōu)秀的傳統(tǒng)文化。在體育文化和茶文化的相互結(jié)合中不僅要傳揚(yáng)傳統(tǒng)體育文化知識(shí),還要繼承和發(fā)揚(yáng)我國(guó)傳統(tǒng)茶文化精神內(nèi)涵。此外體育文化教學(xué)者應(yīng)當(dāng)加強(qiáng)對(duì)體育動(dòng)作的了解,熟練掌握教育教學(xué)動(dòng)作技術(shù),還應(yīng)當(dāng)加強(qiáng)對(duì)體育用品、標(biāo)志、服飾及其他行為規(guī)范的了解,從而更好地進(jìn)行體育教育教學(xué)工作。與此同時(shí)體育工作者還應(yīng)當(dāng)加強(qiáng)對(duì)茶文化內(nèi)涵精神的了解,充分將茶文化內(nèi)涵挖掘出來(lái)。茶文化和體育文化具有著許多共性,譬如審美觀、內(nèi)涵精神、價(jià)值觀等,在體育教育教學(xué)中充分融入茶文化能夠?qū)崿F(xiàn)體育教學(xué)現(xiàn)代化,從而繼承并傳揚(yáng)傳統(tǒng)茶文化和民族文化。

3.3現(xiàn)代體育教育教學(xué)中積極引進(jìn)茶文化思想和內(nèi)涵,應(yīng)當(dāng)和茶文化充分結(jié)合在一起,從而形成具有民族文化的體育教學(xué)形式

現(xiàn)代體育結(jié)合茶文化教學(xué)應(yīng)當(dāng)充分利用現(xiàn)代化技術(shù),其中可以利用網(wǎng)絡(luò)技術(shù)和現(xiàn)代化多媒體技術(shù)展開茶文化民族體育教學(xué),從而推動(dòng)茶文化在體育教育教學(xué)中的發(fā)展。通過(guò)現(xiàn)代技術(shù)將茶文化和體育文化呈現(xiàn)在學(xué)生眼前,讓學(xué)習(xí)者能夠加強(qiáng)對(duì)體育文化和傳統(tǒng)茶文化的了解。譬如在體育教學(xué)中結(jié)合各種茶文化舞蹈,通過(guò)互聯(lián)網(wǎng)向?qū)W習(xí)者展現(xiàn)不同地區(qū)的茶舞蹈以及茶服飾等,讓學(xué)習(xí)者能夠從生動(dòng)形象的視頻動(dòng)畫效果中感受到茶文化精神內(nèi)涵。此外體育教育教學(xué)中引進(jìn)茶文化還可以通過(guò)體驗(yàn)式方式來(lái)加強(qiáng)學(xué)習(xí)者對(duì)茶文化的了解,從各項(xiàng)體育運(yùn)動(dòng)中學(xué)生不但能夠加強(qiáng)學(xué)生對(duì)動(dòng)作形體的鍛煉,而且還能夠加強(qiáng)對(duì)茶文化的認(rèn)識(shí)。在體育教育教學(xué)實(shí)踐活動(dòng)中融入茶文化,始終要以茶文化作為教學(xué)指導(dǎo)思想,并充分結(jié)合茶文化歷史以及體育文化,充分調(diào)動(dòng)體育學(xué)習(xí)者的學(xué)習(xí)興趣和熱情,再讓體育動(dòng)作和民族文化互相聯(lián)系,通過(guò)舞蹈、競(jìng)技等多種形式來(lái)不斷展現(xiàn)出體育教學(xué)和茶文化的相互共性。

3.4在體育教育教學(xué)過(guò)程中積極引進(jìn)茶文化就必須構(gòu)建完善的跟蹤反饋體制

要充分了解體育學(xué)生的心理變化和生理變化,并結(jié)合學(xué)生實(shí)際反應(yīng)靈活運(yùn)用茶文化到體育教育教學(xué)實(shí)踐活動(dòng)中去,并構(gòu)建獨(dú)具民族文化特色的體育運(yùn)動(dòng)形式,但實(shí)際上該種結(jié)合方式仍然處于創(chuàng)新性探索階段,需要經(jīng)過(guò)長(zhǎng)期實(shí)踐才能應(yīng)用。在體育教育教學(xué)中引進(jìn)茶文化和民族文化是較為長(zhǎng)期的過(guò)程,因此就需要對(duì)體育學(xué)生在參與過(guò)程中的各項(xiàng)生理指標(biāo)以及心理指標(biāo)等進(jìn)行相應(yīng)量化統(tǒng)計(jì),經(jīng)過(guò)各項(xiàng)數(shù)據(jù)對(duì)比,不斷完善茶文化引進(jìn)體育教學(xué)體制,從而繼承和傳揚(yáng)我國(guó)傳統(tǒng)民族文化。譬如贛南地區(qū)在實(shí)際體育教育教學(xué)過(guò)程中將采茶和體育健身操相互聯(lián)系起來(lái),并構(gòu)建具有民族文化特色的運(yùn)動(dòng)方式,從而將茶文化充分體現(xiàn)在體育實(shí)踐活動(dòng)中去。并且贛南地區(qū)的采茶操中還重視對(duì)肌肉系統(tǒng)、呼吸系統(tǒng)、心血管系統(tǒng)和耐力以及靈敏度等多方面鍛煉,經(jīng)過(guò)數(shù)據(jù)統(tǒng)計(jì)能夠不斷完善采茶健身操,并能夠在體育教育教學(xué)中融入茶文化,并構(gòu)建具有民族文化特色和地域特色的體育教育教學(xué)形式,從而繼承和傳揚(yáng)著我國(guó)優(yōu)秀的茶文化。在進(jìn)行茶文化體育教學(xué)引入中,應(yīng)充分將茶文化的基本特點(diǎn)表現(xiàn)出來(lái),將體育文化和茶文化緊密的結(jié)合起來(lái),不斷完善體育教育教學(xué)機(jī)制和體系,從而建立起以茶文化為核心,建設(shè)具有茶文化特色的體育教學(xué)形式,以推動(dòng)著茶文化和體育文化的發(fā)展,由此看來(lái),在教育教學(xué)中引入茶文化具有積極的意義。

4結(jié)語(yǔ)

在體育教育教學(xué)中積極引進(jìn)茶文化不僅能夠鍛煉學(xué)習(xí)者的身體素質(zhì),同時(shí)還有助于幫助學(xué)生全面發(fā)展,極大提升學(xué)生的生理素質(zhì)和心理素質(zhì),這對(duì)于現(xiàn)代體育教育教學(xué)創(chuàng)新發(fā)展有著極為重要的意義。在體育教育中引入茶文化需要注重革新教學(xué)方法和形式,讓學(xué)習(xí)者充分感受到茶文化精神內(nèi)涵,并有效提升學(xué)生體育學(xué)習(xí)熱情和積極性,從而促進(jìn)現(xiàn)代體育教育教學(xué)的快速發(fā)展。

參考文獻(xiàn)

[1]王保龍,孫振波,李淑元.民族傳統(tǒng)體育文化的德育價(jià)值探析[J].當(dāng)代體育科技,2016(4):131-132.

[2]趙華清,李大龍.中學(xué)體育課程改革的幾點(diǎn)思考[J].內(nèi)江科技,2016(4):104-105.

[3]崔熙.大學(xué)體育教學(xué)中加強(qiáng)人文關(guān)懷的策略探索[J].產(chǎn)業(yè)與科技論壇,2015(23):117+119.

飲茶文化范文第4篇

1茶文化和音樂(lè)之間的歷史淵源

中國(guó)的茶文化發(fā)展歷程源遠(yuǎn)流長(zhǎng),歷史底蘊(yùn)極其深厚,是經(jīng)過(guò)數(shù)千年歷史洗禮留下來(lái)的精華,發(fā)展至今依然被人們廣為推崇。認(rèn)真回想書籍中有關(guān)采茶、飲茶方面的詩(shī)詞歌賦不難發(fā)現(xiàn),茶文化和音樂(lè)早已被古人融合在了一起,并被歷代人們所傳頌。比如,大家熟知的《行香子•茶詞》、《宿杜曲花下》、《鷓鵠天•湯詞》等作品,都提到了琵琶、笛子、古箏等一系列古典樂(lè)器的應(yīng)用。與此同時(shí),當(dāng)代茶樓中經(jīng)常播放的音樂(lè)也均以古典歌曲為主,奉行了“茶適合凈室與古曲”這一從古到今永不改變的文化與旋律。茶藝與茶道即是能夠培育人們精神情操的藝術(shù)形式,也是能夠培養(yǎng)人們審美情趣的美學(xué)形式。因而,茶道學(xué)習(xí)不僅可以利用沏茶、賞茶增進(jìn)茶友間的溝通與友誼,[1]同時(shí),還能夠通過(guò)品茗讓自己樹立求真、溫婉、廉潔、清和的高尚情操。另外,茶道作為能夠提升氣質(zhì)且極具意義的美學(xué)儀式,同古代文人、墨客等儒雅之士所提倡的儒家、道家與佛家的茶文化精神不謀而合。茶文化和音樂(lè)是相生相容的關(guān)系,如我們熟知的采茶歌。來(lái)源于日常生活但又高于日常生活的采茶歌,經(jīng)過(guò)發(fā)展又衍生出了采茶舞、采茶戲等,且這些極具特色的民間藝術(shù)都已成為中華傳統(tǒng)文化的主要構(gòu)成部分。尤其是采茶戲,其為我國(guó)有且僅有的獨(dú)特劇種。即便是在現(xiàn)代生活中談?wù)摰讲栉幕鸵魳?lè)的相容相生時(shí),很多人也會(huì)想起一些經(jīng)典的傳統(tǒng)采茶歌,如《請(qǐng)茶歌》、《采茶舞曲》等。當(dāng)然,當(dāng)代音樂(lè)在吸收傳統(tǒng)茶歌的基礎(chǔ)上,也極其重視對(duì)其的發(fā)展與創(chuàng)新,促使茶文化和當(dāng)代音樂(lè)不斷發(fā)生碰撞和交流,推動(dòng)了茶文化在當(dāng)代音樂(lè)教育中的更好發(fā)展。比如,在精湛的茶藝表演中,將水從壺中傾斜而注到茶杯中的動(dòng)作,配之以古典曲目《高山流水》,可以讓整個(gè)畫面充滿詩(shī)情畫意,營(yíng)造濃厚的文化氛圍與藝術(shù)環(huán)境。

2茶文化在當(dāng)代音樂(lè)教育中的重要價(jià)值

2.1增強(qiáng)審美感知力

音樂(lè)屬于聲音藝術(shù)的一種,也是情感最為豐富的藝術(shù)形式。因此,采茶戲、茶詩(shī)歌、茶藝表演等各種茶文化在當(dāng)代音樂(lè)教育中的應(yīng)用,不僅要蘊(yùn)含深厚的審美意境與茶道精神,而且還要增強(qiáng)動(dòng)作的“神韻”與美感度,這樣學(xué)生才能通過(guò)聆聽(tīng)與觀賞真切感悟到茶文化的精神內(nèi)涵及美的享受。[2]伴隨著學(xué)生在音樂(lè)知識(shí)方面的不斷積累與提升,促使學(xué)生對(duì)音樂(lè)的表達(dá)方式產(chǎn)生了更多理解,也更易于把握音樂(lè)作品中蘊(yùn)含的茶道精神、表達(dá)意境等,進(jìn)而提升其審美感知力。

2.2有效拓展想象力

從某種角度去講,豐富的想象力主要是指從對(duì)象的表現(xiàn)形式中獲取更為廣闊的思考與想象空間。將茶文化應(yīng)用于當(dāng)代音樂(lè)教育中,不僅能夠有效幫助學(xué)生體驗(yàn)美、發(fā)現(xiàn)美以及拓展美,獲得豐富的情感體驗(yàn),深化學(xué)生對(duì)人生、對(duì)生活的感悟,增加想象的彈性空間,而且有助于學(xué)生通過(guò)音樂(lè)科學(xué)表達(dá)自己的內(nèi)在情感,深入理解與把握音樂(lè)作品的本質(zhì)內(nèi)涵與文化蘊(yùn)意。例如,在當(dāng)代音樂(lè)教學(xué)中學(xué)習(xí)作品《十二月采茶》時(shí),蘊(yùn)意飽滿的曲詞不僅僅能讓學(xué)生體會(huì)到茶農(nóng)愉悅歡快的心情與奮發(fā)向上的積極態(tài)度,雖有無(wú)奈但卻毫不氣餒的偉大精神,更為關(guān)鍵的是能讓學(xué)生在此基礎(chǔ)上對(duì)茶園的景象、茶農(nóng)的情感及辛勤勞作的畫面等展開豐富的想象,讓學(xué)生在欣賞美、感受美的同時(shí),還能有效拓展想象力。

2.3建立健全高尚人格

茶自古就被中華民族視為高尚情操與健全人格的重要象征符號(hào)。因而自古至今數(shù)不清的文人騷客均是在茶的陪伴下洞悉事故人情,領(lǐng)悟清凈為懷、虛懷若谷的道理,將茶作為支撐自己精神家園的重要支柱,當(dāng)然也創(chuàng)作出了一部部膾炙人口的茶詩(shī)詞、采茶戲、茶歌曲等。在當(dāng)代音樂(lè)教育中引入這些與茶息息相關(guān)的作品,對(duì)學(xué)生深入理解茶文化內(nèi)涵與音樂(lè)本質(zhì)有極大幫助。[3]古代人們對(duì)茶味、茶秉性的解讀實(shí)質(zhì)是對(duì)茶的意蘊(yùn)與精神的贊美,是為了塑造更為高尚的品質(zhì)與人格,是為了樹立正確的價(jià)值觀與人生觀。所以,在當(dāng)代音樂(lè)教育中運(yùn)用茶文化,可以讓學(xué)生認(rèn)識(shí)到自身的不足并及時(shí)予以改正,對(duì)促進(jìn)學(xué)生的人格健全與道德情操塑造具有積極的推動(dòng)作用。

3茶文化在當(dāng)代音樂(lè)教育中的運(yùn)用路徑

3.1增加教材的茶文化內(nèi)容比重

在我國(guó)的中小學(xué)教育階段,音樂(lè)課程常被列為“副科”,始終處于教育的邊緣地位,所采用的音樂(lè)教材也是長(zhǎng)期未得到調(diào)整與創(chuàng)新的陳舊教材。但是,伴隨著時(shí)代的發(fā)展演變,音樂(lè)內(nèi)容卻在不斷變化,如果一直沿用傳統(tǒng)教材開展教學(xué),不僅會(huì)使教學(xué)效果大打折扣,而且會(huì)降低學(xué)生的音樂(lè)學(xué)習(xí)興趣。為實(shí)現(xiàn)茶文化的有效應(yīng)用,需要相關(guān)人員緊扣茶文化對(duì)當(dāng)代音樂(lè)教材進(jìn)行改進(jìn)與創(chuàng)新,適當(dāng)增加教材中的茶文化內(nèi)容比重。譬如,在教材中詳細(xì)介紹我國(guó)各地區(qū)比較經(jīng)典的采茶歌,將茶藝、茶道與當(dāng)代音樂(lè)教育內(nèi)容相融合,提升學(xué)生對(duì)我國(guó)茶文化的認(rèn)知與了解,最大程度地發(fā)揮茶文化對(duì)當(dāng)代音樂(lè)教育的帶動(dòng)作用。只有在當(dāng)代音樂(lè)教育中注入更多的茶文化內(nèi)容,才能讓學(xué)生對(duì)茶文化在當(dāng)代音樂(lè)教育中的價(jià)值與應(yīng)用路徑有更為清晰的理解,也才能真正發(fā)揮茶文化在當(dāng)代音樂(lè)教育中的積極作用。

3.2發(fā)揮多媒體的音樂(lè)教育功能

新時(shí)代的多媒體技術(shù)發(fā)展十分迅速,已被廣泛應(yīng)用到包括學(xué)校在內(nèi)的多個(gè)領(lǐng)域,多媒體教學(xué)已成為現(xiàn)代教師進(jìn)行教學(xué)的重要輔助手段,有利于促進(jìn)當(dāng)代音樂(lè)教學(xué)內(nèi)容的積極開展。根據(jù)近年來(lái)的調(diào)查數(shù)據(jù)顯示,諸多音樂(lè)教師仍以“唱練結(jié)合”的傳統(tǒng)教學(xué)方式為主,這種單一的、機(jī)械的教學(xué)模式缺乏專業(yè)性,而且易于出現(xiàn)走音、氣息不穩(wěn)等現(xiàn)象。[4]然而,多媒體作為集聲音、圖像、文字、視頻等多種元素于一體的現(xiàn)代化科學(xué)技術(shù),如果當(dāng)代音樂(lè)教師能夠充分發(fā)揮多媒體技術(shù)的功能與作用,將多媒體技術(shù)應(yīng)用于教學(xué)之中,不僅可以提高音樂(lè)示范的精準(zhǔn)性與逼真性,而且豐富多彩的教學(xué)畫面可以有效激發(fā)學(xué)生的學(xué)習(xí)興趣與動(dòng)力。具體而言,可以在課堂教學(xué)過(guò)程中播放有關(guān)茶文化音樂(lè)的音頻、視頻以及有聲讀物等,從而提高學(xué)生的直觀認(rèn)識(shí),幫助學(xué)生深入了解茶文化在當(dāng)代音樂(lè)教育中的重要影響力。

3.3開設(shè)茶文化的音樂(lè)欣賞課程

在當(dāng)代音樂(lè)的課堂教學(xué)中,我們可以選取不同朝代中極具特色的有關(guān)茶的舞蹈、歌曲或詞曲等作品,以此當(dāng)作茶文化的音樂(lè)欣賞課程的重點(diǎn)內(nèi)容。例如,《茶歌》、《全唐詩(shī)》、《西山蘭若試茶歌》、《茶中雜詠序》等。同時(shí),茶歌的一個(gè)重要來(lái)源是由民謠改編而成的歌曲,即民謠經(jīng)過(guò)文人墨客的整理、配曲與雕琢,再放置于民間進(jìn)行傳唱,如在明清時(shí)期廣為流傳的茶歌曲《貢茶鰣魚歌》;同時(shí)茶歌還有一個(gè)重要來(lái)源,即由茶工和茶農(nóng)自己創(chuàng)編而成的山歌或民歌等,如在清代的武夷山采茶區(qū)廣為流傳的勞工歌等。通過(guò)鑒賞這些描述茶文化的音樂(lè)曲目,可以增強(qiáng)學(xué)生的歌詞理解力,提升學(xué)生的音樂(lè)學(xué)習(xí)效率,感悟到歌曲的內(nèi)在魅力與文化氣息。[5]另外,當(dāng)代音樂(lè)教師在茶文化的音樂(lè)欣賞課堂上,還應(yīng)積極引導(dǎo)學(xué)生針對(duì)茶文化的賞析及見(jiàn)解進(jìn)行討論,充分發(fā)揮自身的想象力與創(chuàng)造力,深切領(lǐng)會(huì)中國(guó)茶文化的浩瀚與精深。開設(shè)該課程的重要目的是鼓勵(lì)學(xué)生學(xué)習(xí)鑒賞茶文化音樂(lè)的內(nèi)容和方法,初步具備基礎(chǔ)的文化賞析水平與能力,促使學(xué)生將自己對(duì)人生的領(lǐng)悟、文化的認(rèn)知以及自然的萬(wàn)物等融入到當(dāng)代音樂(lè)的學(xué)習(xí)之中,進(jìn)而創(chuàng)作出經(jīng)典的、觸動(dòng)心靈的現(xiàn)代音樂(lè)。

3.4重視實(shí)踐活動(dòng)的科學(xué)合理組織

加強(qiáng)茶文化在當(dāng)代音樂(lè)教育中的實(shí)踐性教學(xué)活動(dòng),可以幫助學(xué)生提高茶文化的音樂(lè)選擇水平與能力。學(xué)生在當(dāng)代音樂(lè)教學(xué)中學(xué)到豐富的茶文化知識(shí)之后,已經(jīng)對(duì)茶藝表演中的音樂(lè)選擇、音樂(lè)形式等有了系統(tǒng)性的了解,此時(shí)就需要音樂(lè)教師有目的、有計(jì)劃地引導(dǎo)學(xué)生參與音樂(lè)實(shí)踐活動(dòng)。從本質(zhì)上講,音樂(lè)實(shí)踐就是在學(xué)生了解音樂(lè)內(nèi)涵的基礎(chǔ)上,感悟音樂(lè)中的茶文化精髓,實(shí)現(xiàn)音樂(lè)感知與音樂(lè)能力升華的一系列過(guò)程??茖W(xué)有效開展當(dāng)代音樂(lè)教育實(shí)踐活動(dòng),有助于幫助學(xué)生通過(guò)音樂(lè)與茶文化學(xué)習(xí),更好的樹立形象思維和鑒賞思維。諸如,教師可以舉辦賞樂(lè)茶會(huì)、音樂(lè)茶談會(huì)、茶音樂(lè)競(jìng)技等實(shí)踐活動(dòng),對(duì)學(xué)生應(yīng)用茶文化的音樂(lè)能力進(jìn)行系統(tǒng)化、集中化的訓(xùn)練,對(duì)學(xué)生的藝術(shù)品位進(jìn)行層次化的練習(xí),甚至可以通過(guò)舉辦音樂(lè)欣賞茶會(huì)等活動(dòng),全面展示參與實(shí)踐活動(dòng)的學(xué)生的實(shí)際訓(xùn)練成果。[6]這種實(shí)踐模式,既能讓學(xué)生積極主動(dòng)的參與到當(dāng)代音樂(lè)的學(xué)習(xí)之中,還有助于教師形成學(xué)生學(xué)習(xí)成果記錄,對(duì)學(xué)生的整體學(xué)習(xí)狀況進(jìn)行全方位的把握,從而為提高當(dāng)代音樂(lè)教育的針對(duì)性發(fā)揮重要功能。更為重要的是在此學(xué)習(xí)過(guò)程中,廣大學(xué)生通過(guò)實(shí)踐活動(dòng),結(jié)合茶藝表演的具體類型,選用最為合理的音樂(lè)曲目,然后在音樂(lè)茶會(huì)活動(dòng)中進(jìn)行表演,不但可以讓學(xué)生充分展示自己,而且能提升教學(xué)質(zhì)量與成效,激發(fā)學(xué)生的學(xué)習(xí)主動(dòng)性與積極性,提高學(xué)生的表現(xiàn)力、創(chuàng)造力以及審美能力等。

總而言之,歷經(jīng)數(shù)千年的茶文化,不但是中華民族的文化瑰寶,還是全人類文化的主要組成部分,同時(shí)中國(guó)茶文化還影響著英國(guó)、日本等國(guó)家的茶文化形成。當(dāng)代音樂(lè)教育如果能夠?qū)⒉栉幕茖W(xué)引入到課程之中,則可以有效鞏固茶文化在當(dāng)代音樂(lè)教育中的重要地位和功能。從微觀視角去看,有利于提高學(xué)生的感知力與審美力,有益于培養(yǎng)學(xué)生的創(chuàng)造力與想象力,有助于增強(qiáng)學(xué)生的道德情操與整體素養(yǎng);從宏觀視角去看,也是傳播與發(fā)揚(yáng)中國(guó)茶文化的主要路徑,對(duì)提高整個(gè)社會(huì)的品德素質(zhì)、人文素養(yǎng)以及精神文明等有突出作用,更有助于提升中國(guó)文化在國(guó)際舞臺(tái)上的影響力。

作者:王芳 單位:河南理工大學(xué)音樂(lè)學(xué)院

參考文獻(xiàn)

[1]曾竹娥.淺議音樂(lè)教學(xué)的生活化取向———以贛南采茶戲教學(xué)為例[J].群文天地,2012(11).

[2]楊韶軍.粵北采茶戲及其音樂(lè)歌舞特色[J].韶關(guān)學(xué)院學(xué)報(bào)(社會(huì)科學(xué)),2012(09).

[3]陳茶鳳.茶文化學(xué)科音樂(lè)課開設(shè)的意義和教學(xué)設(shè)計(jì)[J].產(chǎn)業(yè)與科技論壇,2015(08).

[4]林曉潔.不可替代的魅力———淺談茶文化與藝術(shù)的聯(lián)系[J].文學(xué)界(理論版),2011(02).

飲茶文化范文第5篇

Marriage occurs in the human society since the dawn of time, marriage is the foundation of a family, and also is the foundation of society, which combines males with females to form a stable and sustained relationship. In the human history, the origin of civilization is along with the evolution of marriage. In other words, the evolution of marriage improves the human society to develop step by step. In the traditional China society, once two people get married, they will not be allowed to get porced. Marriage like a holy contract among couples, and two people should be responsible to each other. However, in the different era, the culture of marriage is very different. In the feudal society, marriage was determined completely by parents, and the groom and bride have no chance to choose their own freedom of marriage. But following the development of society, the concept of marriage is gradually changing, marriage become more and more opened and free. Nevertheless, in contrast with America, there are many concepts of marriage which are greatly different. So, the essay through analyzing these differences digs up the reasons of difference between China and America.

1. The cultural backgrounds of Marriage in Chinese and American.

In the traditional China social, marriage sometimes is shackle for women and will determine a woman’s fate in her entire life. Once woman get married, she have no right to porce with her husband. Only her husband can porce with her. Even her husband is addicted to alcohol, gamble or have other lover outside. So in the old days, these women’s fates are very miserable, because moral principles force them to obey their father, old brothers, husbands and grownup son. Woman’s marriage is completely appointed by her parents and old brothers. When her husband porce with her, she will face the morality denounce. While in the American history, marriage is a private matter and no one can intervene without permit. They have the right to live with the person they like. But once they find that their marriage is a mistake, they will make the second choice, because it is brutal to force two people who don’t love each other any more to live together.

2. Engagement.

In china, when a man wants to engage to his girlfriend, generally, he will give his future wife a betrothal ring as a symbol of their engagement. Besides, he will go to visit his future parents-in-law. If his girlfriend’s parents think he is reliable and is able to make their daughter happy in the future, they will permit the man’s proposal, but the man often has to give his future parents-in-law a considerable amount of betrothal presents. If not, his girl’s parents usually oppose to marry daughter to the man, because they think the man is poor and their daughter will not be happy with the man without material base. After the marriage get the permission of their both parents. The engagement is successful. Therefore from engage to get married. The man will spend a large number of money. Nowadays, in china, the expenditure of marriage become a huge pressure for man, because girl choosing to marry to a man, largely depend on whether the man have a commodity house or have a car. However, the price of house in china is unbelievable high, most of they can not afford to buy a house in city with their very low salary.

While in America, when people fall in love with each other, they will go to the other’s family to meet the future parents-in-law, and to adapt to the other’s family. When a man proposes to a woman, then if she promises the proposal, they will immediately arrange the time of their parents’ meeting. In general, a man will give an engagement ring to his fiancée. It is enough in the materials about marriage. Woman needn’t have to marry with man who has houses, cars and deposit books. She just gets married just because of love. Not according to man’s wealth.

3. Difference on wedding between China and America.

The largest difference in wedding between China and America, on the one hand, is the difference of Color of wedding. In China, on the wedding day, red is all the color, Bride dress up red cheongsam to marry with groom. The doors, windows, and all kinds of furniture are affixed on Bright red xizi, because red represents joyfulness and prosperity in traditional china. Compared to China, in United States, White is the first choice of wedding color, and represents the purity and nobility. On the big day, both new house and church of marriage are decorated with white flowers, and all the clothes the bride dressed are white. People regard that the bride with white bridal veil symbolizes purity. On the other hand, the marriage of two countries is greatly different at the sounds. In China, people think that the more noise, the more cheerfulness, and bride and groom will get more blessings. Therefore, that day of marriage is full of the sound of firecrackers. However, the songs of the marriage are all soft and peaceful in the wedding in the United States. After the music is started, the whole church is without any other noise. Then marriage will proceed in a very grave atmosphere. In United States, on the wedding day, the bride must bring five things to Church, which is a new one, an old one, a borrowed one, a blue one, and the a sixpence in the shoes. This culture is originated from the Victorian era. And the five things mean five traditions respectively. A new one means that the bride’s latter life will be full of happiness. And the new one can be replaced by the newly-bought materials in the marriage. An old one means that the relationship and friendliness between bride and her parents will still continue. The tradition can be showed by a hereditary jewelry the bride dressed. Some brides will dress up their mothers’ old bridal veil. A borrowed one, which should be borrowed from a happy woman in marriage and the woman must be one of the bride’s relatives, Means that the old one will bring good lucky for the bride. But the borrowed one must be given back. A blue one, because in the traditional custom. Blue represents purity and loyalty, and can be embodied by the blue hem of bride’s suspenders. At last, the sixpenny in shoes means that the newly component family will be prosperous. And it also means that the bride’s bridal veil must not be sold, but can be borrowed or threw off. If not, the marriage relating money will quickly go to the end.

4. Concept of family.

In the traditional culture of China, man work outside to make money to maintain the whole family, and the woman stay at home to take care of the old, children, and husband, even though woman have done much work in the pision of family’s labor. Whereas, woman are often in the subordinative position, and haven’t right in the family. Most of women regard their husbands as the dependent of whole life. If their husband porce with them, they cannot remarry with others. Which results that a married man prefers to pursue the success of his career, rather than to pay attention to his wife, his family. There is an old story in China, the Dayu flood control. Dayu passed by the doorway of his own house for tree times, he didn’t come in home once. At the First time, his wife is ill, at the second time, his wife is pregnant, and the last one is that his wife is giving birth to his son. In order to fulfill his work of controlling water, he didn’t come in house to see his ill wife and newborn baby.

However in United States, the both sides in marriage, husband and wife are in the equal position, they have equal right to porce with each other, and porced woman can remarry with other man, without facing moral discrimination. In contrast to China, Americans usually think that family is more important than career. No matter how important work an America man is engaging. If his wife is ill or is giving birth to a baby, he will immediately put down his work. And come to his wife without any hesitation. For example, Tracy McGrady, a super star in the NBA, is playing an important match against New Orleans Jazz, during the match. he is informed that his fiancée is to be sending to hospital as severe stomach which is the sign of delivery. He immediately quit the match and hurry to the hospital to accompany his fiancée.

5. Children’s education.

The methods of children’s education between China and America exists great differences. In China, parents usually control their kids very strictly. They don’t want children to do other things except studying textbook. They even often limit children’s rest time and always ask kids to do homework and recite books all the time. Because most of parents in China think that studying well, and then get into a famous university is the only way to their children’s bright future. They never consider their kids’ ideas, and think that all they have done will be good to their kids. They hope to put kids’ life under their control tightly, only this way, their kids will not be out of the right road. All of them require their children to get high grades in the examinations. If their children failed in the exams, they will give kids a severe punishment, such as a big scold, or a furious slap, then tell kids that if they cannot get a good score next time, they will face a severer punishment. And if their children study very well and rank in the top in class, the parents often are very proud of their kids, and often show off to neighbors how good their children are in study. Parents in China less respect kids’ interests, because they think the interests will interfere study. So they often forbid children doing interested things which kids would like to do. And they also choose all kinds of interested classes for their children only according to their own ideas, then force children to learn the these classes, without asking kids’ advices. So in China, Children have no freedom, they can’t decide their own things, their fate is arranged by their parents. While in America, the situation is very different with China, parents treat their own kids like a grownup, and give kids the freedom of choosing their own interests and life. When children like to do something, the parents often support them and try to lead them to succeed in their interests. Although the parents hope their children have a good performance in school. They don’t think the grade in studying is the only way to leverage their children’s ability and genius. The parents are willing to cultivate their children a certain skill or interest, other than purely studying. Therefore, they give kids the equal position in family. And never force children to do something which children don’t want to do. The parents in United States value to cultivate kids’ independent and creativity, they make kids go out to make their only allowance. So, in America, kids have rights of deciding their own things, and stay in an equal position with their parents. When kids gown up, they have a strong independent consciousness and the ability of independent thinking. However in China, when they separate themselves from their parents’ control, they will lose the ability of earning one’s own living, and lose judgement in daily life.

轉(zhuǎn)貼于 6. Influences of Economical Factors in Marriage.

Generally, the happy index of marriage largely depends on the wealth of a family. A rich family often can provide a good and constant influence in marriage, because advanced material conditions make couples be more satisfied about the marriage, and couples will have more time and money to enjoy their marriage, they can spend a sweet honeymoon without worrying about expenditures in travel, and can also avoid the quarrel about property in family. In China, many couples porce because of the lack of material base, a woman porce with her husband, due to husband can’t make enough money to satisfy the wife’s all kinds of material appetites to a large extent. Hence, man in the marriage usually suffers from the bigger pressure than woman in China. Once a man failed in his business or his career, and then cannot make more money to provide a good living level for his wife. The wife will be tired of his husbands and think that his husband is unable, and yet the husband symbolizes an authority in the traditional China society and is hard to stand his wife’s contempt, eventually, following the failure of a man’s business, the family’s discord and contradiction are consequent. Therefore, no matter in the traditional China society or in the modern China society, a woman is willing to marry with a man, in general, not because both of them deeply love each other, but the woman want to find a man which can give her a lifetime’s reliance. So the economic conditions of the family will largely determine the happiness and endurance of marriage. In China, because before two people married, their both property will be shared together, thus, the situation often cause many quarrels about economy in family. However, In China, there is a words, “if once a man got lots of money, he will become a bad guy”, which means that when a man makes a big fortune, he will go outside to look for other woman. In fact, this circumstance is often found in the adult successful man. While in America, the situation of the influence of economy is very different with China. In United States, because woman and man are very equal in the America society, woman need not rely on her husband in economy, many unmarried and married women have their own work and can make a living by their own hands. Therefore many America couples porce, not because of the contradiction of money, but the discord of affection, or the extinguishment in love. Before two people married, they will notarize their respective properties. In case the couples porced, they can have their own properties, which avoid many unnecessary wrangles in assets. But it cannot work in China, because China woman thinks that if she marries with a man, so the man should give his all things to her. 7. The difference on the concept of porce.

In the traditional China society, Divorce is very rare in the feudal society. The core elements of Confucianism require people to live with nature harmoniously, value the harmony in the whole society, and regulate the society as a trenchant society rank. Therefore the concept of porce does not accord with the Confucianism. Due to the limitation of traditional culture, Chinese take marriage very seriously, most of them married once in their lifetime. Couples will not porce, even that there is not any affection existed between them. Because the concept of family occupied huge position in their minds, if the family broke down, it will relate children’s education. Another reason is that the traditional China society looks down on porced women. Therefore, women didn’t want to porce with their husbands, no matter how bad their husbands treat them. Some women even committed suicide after they are abandoned by their husbands. However, long with the society developing, the concept of traditional marriage has changed so much, Divorce in China never looked as a shamed thing to woman, who can not only choose to marry with her loved, but also can be fee to porce her husband, if she thinks that it is not necessary to continue the marriage anymore. So, nowadays in China, there are more and more unhappy marriages which end up with porce, instead of maintaining the marriage distressfully. Every year, about thirty percent of couples porce. In contrast to China, in America, two people getting married are very free, and porcing is also very free, which results that the porce rate is very high in America, it is about fifty percent. Because America is a country which values the freedom very much, American is less limited by moral ideas. They want to do what they love, not to do what others ask them to do. Laws in the United States encourage the porce in some degree. For example, some states in America have very loose laws about porce, so couples are easy to porce because of the convenient and express procedure of porce.

Conclusion

The marriage Concept between Chinese and American is very different in the main several aspects. In the old days, Family’s stabilization was regard as the base of a sound and health society. So the traditional culture in China emphasizes the stable marriage, which is controlled completely by the old generation. The youngsters haven’t any freedom to choose happiness in marriages. They have to obey their parents’ decision. But along with the society developing and the living level improving, Chinese are more desired to have the all kinds of freedom, including the freedom of marriage. In the twenty-first Century, the new generation largely liberates from the shackles of Feudal ideas. They hunger for deciding their own life. Gradually, the concept of marriage is developed to a large extent, and more and more close to the western concept of marriage. As in the America, the people in the country do their utmost to pursue their own freedom, equality, and justice. They don’t hope any inpidual, organization or political system to constrict them to have the right of realizing their desires. American believes that all men are created equal, and democracy is the base of freedom in their country, the democracy exists not only in the society, but also in the every family. That is why free love is so prevailing in United States. Totally, the backgrounds of two different cultures determine the different concept of marriage. But it is certain that as the global integration and China’s entry into the world gradually, the concept of marriage between China and America will be more and more oncoming, opened and free.

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